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From Tape Suites to Distant – Interview with Ending Artist Katie Kemp

From Tape Suites to Remote – Interview with Finishing Artist Katie Kemp

This interview is a part of a CineD collection celebrating girls within the movie and tv trade. Learn our final piece, the place we caught up with cinematographer Carissa Dorson here. This time round, Katie Kemp, a ending artist from the UK, is our visitor.

The Finish Line’s Katie Kemp has achieved all of it. She’s skilled in C++, delivered sneakers, and even labored from Mr. Motivator’s Jamaican house.

All through all this, she’s additionally completed exhibits in each style from Panorama to Geordie Shore, and for everybody from the BBC to Discovery. She’s additionally skilled the transfer from tape suites to distant working first-hand.

Learn on to be taught extra about Katie Kemp’s spectacular profession, together with what it was wish to be beginning a profession in TV within the late 90s, and the place she hopes the publish manufacturing trade will go for the long run.

Pattern of Katie Kemp’s work

Katie Kemp, are you able to inform us about your begin within the trade?

Katie Kemp: I went to school to finish a bachelor’s in science. It was extra centered on the technical facet of filmmaking – we have been truly within the engineering division. We realized all the things from tips on how to produce numerous media codecs to C++, oscilloscopes, and the arithmetic proving the Nyquist theorem.

After graduating I moved to London, the place I obtained my first job as a runner at a post-production home known as Element in 1997. Being a runner concerned all the same old duties like getting tea, in addition to some extra uncommon ones.

Katie Kemp
Katie Kemp. Picture credit score: Katie Kemp

What have been a number of the extra uncommon duties?

Ok.Ok.: As soon as, I needed to go and purchase a belt for somebody who forgot theirs earlier than going into a gathering. One other time, I used to be serving to this actually proficient, eccentric producer carry some tapes from our studio again to her workplace. This was a traditional job, besides the producer didn’t have something on her ft!

She later known as me asking whether or not she had left her sneakers again at our studio, as she couldn’t discover them. I confirmed she did go away her sneakers there and introduced them again to her.

That’s hilarious! So, how did take pleasure in your first style {of professional} modifying?

Ok.Ok.: Nicely, let’s simply say that initially, my abilities have been a bit hit or miss. I did as soon as set hearth to the carpet whereas attempting to solder wires to restore an edit suite! Regardless of that, I discovered modifying extremely enjoyable.

The tape suites again then have been these large desks with buttons all over the place that made you are feeling such as you have been controlling a starship, which was clearly cool.

Pattern of Katie Kemp’s work

Did you ever really feel deprived since you have been a lady?

Ok.Ok.: After I began within the trade, there weren’t actually many feminine editors. It was all tape suites, and I did as soon as get informed that they have been too technical for a woman – however I definitely proved that individual mistaken!

General, I do really feel fortunate that I by no means actually felt at a drawback for being a lady. There was this man that began working similtaneously me. We obtained promoted into the machine room collectively, then we obtained promoted to develop into junior editors and full-time editors collectively too. We obtained the very same pay rises all through the seven years I used to be at Element. I then moved over to Sanctuary publish, then to The Edit & Sound Retailer, adopted by Prime Focus, and now The End Line, the place I presently work.

How did it really feel going from runner to editor and past?

Ok.Ok.: For me, it was all very thrilling. I noticed the trade transition to Avid first-hand. It was all tape suites once I first began my profession in London. Positive, there was an Avid within the again room, however no person actually talked about it – primarily it was ignored because the offline have been nonetheless reducing on Lightworks.

Ultimately, Symphony arrived, and it was a giant factor. All of us moved into Symphony and in only a few years all these tape suites I realized on had largely been transformed.

All of the whereas, I nonetheless had some hilarious experiences. As soon as I used to be flown to Jamaica to work with Mr. Motivator! Manufacturing primarily determined they wanted to offline the place they have been filming these health movies. So, they flew an Avid out with me because the editor, and there was additionally a runner. All of us sat in Mr. Motivator’s home (examine his YouTube channel here) creating these health movies. It was an unbelievable expertise.

So, we’re guessing you appreciated the transition to Avid? Can’t beat Mr. Motivator!

Ok.Ok.: Personally, I didn’t thoughts the change. And coming from tape, I felt I had the very best of each worlds. Tape was a strong grounding in technical understanding, then the transfer to Avid opened up many extra inventive prospects.

Collectively, they taught me the artwork of remaining calm. After I began on present affairs, for instance, they have been already on Avid for the flexibleness however enjoying to tape for velocity of supply of the grasp program. The tape wanted to go away the constructing and be with the broadcaster the identical day for transmission.

Katie Kemp
Celebrating her twenty third Birthday within the kitchen at Element. Picture credit score: Katie Kemp

There’s an artwork to remaining calm whereas figuring out the tape that’s going to be on air in just a few hours continues to be in your deck! You’ve got time to make just a few important adjustments, and panicking isn’t going to assist it get achieved sooner. You do your adjustments, and that’s it – it’s going out.

What do you like most in regards to the trade at the moment?

Ok.Ok.: How a lot it all the time surprises me. Simply take 2020, for instance. The entire trade tailored to working from house inside weeks. I’m satisfied that even simply 2 years in the past, we wouldn’t have been capable of distant into the studio like now we have achieved now.

For the long run, I imagine the entire trade wants to maneuver into versatile and distant work. The End Line is well-known for prioritizing employee well being, so we will work flexibly even after the pandemic. I simply hope others comply with in our footsteps!

Positive, there are occasions when you must be on-site. I wouldn’t need to be making a present affairs program on a massively tight deadline and have my house package fail. There’s no backup. In a facility, there’s one other suite proper within the subsequent room.

For long-form and documentary work, if the shopper is pleased to set types and appears at first, there’s no cause why you possibly can’t be at house for something however a overview day. Individuals are speaking a couple of hybrid manner of working. For me, that’s completely the long run.

Hyperlink: Katie Kemp @

Are you impressed by Katie Kemp ’s work and profession? Do you additionally hope for a similar adjustments for the long run? Share your ideas within the feedback under and keep tuned for extra unique profiles from girls within the trade.

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